“For Best Advice On
Commercial Films, Go To Shah Rukh Khan”: Naseeruddin Shah
By Faridoon Shahryar
“I don’t consider ‘Sholay’
as a great film and I’ve written three pages about it in my book ‘And then one
day’,” said Naseeruddin Shah in an interview to a group of journalists including me in Abu Dhabi recently. Shah has a way with words
and he doesn’t hold anything back, nor does he turn politically correct at any
point of time. Laced with a razor sharp sense of humour and heart-tugging self
admissions, Naseer sahib opens up on his views on ‘Bhaag Milkha Bhaag’, his
views on Mr Bachchan as a great communicator, the efforts that he is making to
open up with his children, what advice he gave to son Vivaan Shah, his passion
for theater, his views on remakes, why he agreed to be a part of ‘Welcome Back’ and
why good writing is the most important ingredient for theater as well as films.
Lot of people were
surprised when you signed ‘Welcome Back’ because you are generally not
associated with such comic capers…
Why? I have done films like ‘Mujhe Mere Biwi Se Bachao’,
‘Zinda Jala Doonga’, ‘Tridev’ and ‘Tehelka’! I have worked with great directors
like Anil Sharma. Toh fir kyon hairat hoti hai? Pata nahin logon ko lagta hai
ki yeh commercial filmon mein kaam kyon karta hai? Abhi mujhse sawaal poochte
hai log ki aapki jo art films thi, woh badi achchi thi; to ye commercial
filmein kyon kar rahe hai. To main 3-4 art filmon ka naam leta hoon aur puchta
hoon ki aapne ye dekhi hai. To woh bolte hai ki humne nahin dekhi. Fir bhi woh
chahte hai ki main unhi filmon mein kaam karoon, inme naa karoon. It seems like
I’m doing something wrong!
When you did
‘Tirchi Topiwale’, lot of people thought that you have sold out to commercial
cinema…
Yeah, they were fools to think that. The third film of my
career was a commercial film with Rajshri Productions called ‘Sunayana’. Uske
gaane abhi tak chalte hai. Total flop thi woh…woh alag baat hai. But main iss
baat ka jawab dete dete thak gaya hoon. I did not one day cross over to
commercial cinema. I was always doing commercial cinema. Woh filmein kisi ne
dekhi nahin. To isme mera koi kasoor nahin hai. ‘Sunaina’, ‘Shayad’, ‘Khwab’,
‘Pyaara Dost’, ‘Tajurba’, ‘Haadsaa’, ‘Swami Dada’ ye saari filmein maine ki thi
at the beginning of my career. Phir bhi logon ka yeh kuch yakeen hai ki ek din
maine art cinema ko daga dekar commercial filmein karna shuru ki. Haalaki sach
yeh hai ki maine art filmein karna kabhi bhi bandh nahin ki. Main unhe
criticize zaroor karta tha par unme kaam bhi main karta tha. Aur aaj main
commercial filmon mein bhi kaam karta hoon. I have always tried to do both
kinds of films.
There is a general
perception that you’ll say yes to a script if it’s very good. People generally
think that if Naseer bhai is doing it, it means it has a good script. So when
you do an out-and-out Anees Bazmee commercial film, people raise their
eyebrows…
‘Chaalis Chauraasi’ naam ki bhi film ki thi maine. Main
filmein choonta hoon on instinct. Kabhi bhi koi script sunn kar ye andaza nahin
lagaya ja sakta ki yeh film kaisi banegi. Aisa bhi tajurba raha hai ki achchi
script pe bahut buri filmein bani hai aur kamzor scripts par bahut saari achchi
filmein bhi ban gayi hai. So you have to go by your instinct ki mera jee chaha
raha hai ya nahin. Bas, that’s the only criteria. Ab jee chaha sakta hai kisi
bhi wajah se. ‘Jackpot’ jaisi film ko karne ko mera jee chaha kyonki mujhe
paise bahut mil rahe the.
Also Sunny Leone
was there…
(Laughs) Frankly, she was not an enticement. But I did
‘Dedh Ishqiya’ kyonki script bahut achcha tha. Mujhe woh director bahut achcha
lagta hai. There was Madhuri Dixit which was also a very good reason. ‘Chaalis
Chauraasi’ maine isliye ki kyonki hum chaar log the – Kay Kay Menon aur Atul
Kulkarni – aur humne socha ki bahut mazaa aayega. So for each film, there is a different
reason.
‘Chaalis Chaurasi’
jaisi filmon ko dekh ke kabhi aapko aisa lagta hai ki aapne apne aap ko sahi
dhang se kharch kiya hai ya aisa lagti hai ki fizul kharchi kari apni?
Nahin, fizul kharchi mein nahin manta main. Kyonki jo bhi
kuch maine kiya hai, bhale hi woh galat saabit hua hai, maine apne choice se
kiya. Mujhe pachtava bilkul bhi nahin hai apne kisi bhi decision par. Main
acting isliye karta hoon kyonki mujhe acting karne mein bada mazaa aata hai.
Aur agar mujhe ek bhela bhi na milta, to bhi main acting hi karta rehta. Yeh to
meri khushnaseebi hai ki mujhe paise milte hai acting karne ke. Toh mujhe koi
bhi cheez wasted nahin lagi. Buri se buri film bhi maine ki hai. Ab iss umeed
se toh maine nahi ki ye kitni buri film hai, mujhe isme kaam karna chahiye!
Maine socha ki shayad theek thak ban jaaye, par nahin bani. Aisi bahut saari
serious filmein bhi hai jo bahut buri hai. Bahut buri bani hai. Jin par mujhe
bahut umeed thi. To yeh toss of the coin hai each time. Ab Neeraj Pandey jab
aaya tha mere pass ‘A Wednesday’ le kar, mujhe
kuch bhi nahin malum tha Neeraj ke baare mein. Usne ek film bhi nahin banayi
thi. Shoaib Mansoor Pakistan se jab aaye mere liye ‘Khuda Kay Liye’ ke liye,
mujhe kuch nahin malum tha unke baare mein. Aur similarly ‘The Coffin Maker’
naam ki behad manhoos film bani hai jo maine dekhi nahin hai aur na main kabhi
dekhoonga, uss director ke baare mein bhi mujhe kuch nahin malum tha. Aur ussi
bharose ke saath I entered into that film. But it turned out to be very, very
bad.
But those who have
seen ‘The Coffin Maker’ have praised it.
Haan, log taarif karte hai uski. Mujhe awards bhi mile hai
uske liye. Par award to kisi bhi baat pe mil jaata hai.
People even say
that it’s the best performance of Naseeruddin Shah…
Badi achchi baat hai aisa hai toh!
Director Veena
Bakshi has been quite upset…
Let her be upset.
She alleges that
you were paid Rs 1.5 crore for the film merely for promoting it..
No I was not. She is lying through her bloody teeth if she
says that. I never demanded extra money. I just refused to work with her
anymore. She did not know the front side of the camera from the backside.
So you play a don
in ‘Welcome Back’ and apparently your character is blind…
Yes. Real blind, not like ‘Mohra-blind’!
So how was the
character of playing a blind character and a don?
It is like doing a parody of my ‘Sparsh’ performance. But
yeh ek Anees Bazmee ki genre ki film hai. To jo Anees bhai ko chahiye tha, woh
maine unko dene ki koshish ki.
You played
Duryodhan in ‘Jaane bhi do yaaron’ in the climax, can one equate this character
with that?
Haan, over the top performance hai. Subtle performance
bilkul nahin hai. Kyonki Anees Bazmee ki filmein subtlety nahin maangti. So you
have to enter into the film with whatever is the spirit of the film. If I am
doing a film like ‘Aakrosh’ or a film like ‘Sparsh’, to usme ek different
sensibility ki zaroorat hoti hai. Anees Bazmee ki filmon mein ek alag tarah ki
sensibility ki zaroorat hoti hai. You have to enter into that sensibility. Meri
galti thi kayi dafaa ki main sochta tha ki kya bakwaas ban raha hai but it’s
not a good attitude.
Shiney Ahuja is
playing your son in the film. People are judgmental about him since he is having
a past. So how do you deal with that?
Well, I feel very bad because I think Shiney is a very
good actor. Maine usse pehli baar dekha tha TV ke kisi ad mein jisme woh kehta
hai ki ‘I hate cricket’ followed by ‘score bata yaar’. That time itself it
struck me ki ye ladka bahut achcha actor hai. I liked his work very much in
‘Hazaaron Khwaishein Aisi’. In fact, when I made my film, I wanted to cast him
but he was too busy. I’ve always liked Shiney aur jo bhi hua uss bechare ke
saath, bahut bura hua. Ab yeh mujhe nahin malum uss maamle ki sachchai kya hai
but I like Shiney and I wish him well and I hope woh apne career ko wapas rails
pe laa sake.
Sir, if ‘Jaane Bhi
Do Yaaron’ is being remade, how would you feel?
I will not see it!
I believe Firoz
bhai (Nadiadwala) has got the rights…
No, Firoz has the rights to make a sequel. But sequel ban
hi nahin sakta na. Ravi Baswani ke bagair we can’t make a sequel. Duniya mein
koi actor nahin hai jo Ravi ko replace kar sake. That’s what I feel but Firoz
feels differently. Aur baat-cheet chal rahi hai Firoz ki aur Kundan ki.
If you are asked to
play a role in the sequel…
Of course I will, if Kundan is directing it. ‘Masoom’
remake bhi sunna ban rahi hai. Khuda malum kyon bana rahe hai. ‘Masoom’ jaisi
kahaani aaj ke duniya mein relevant hai hi nahin, ki ek bachcha apne baap ka
pata nahi laga paaya dus saal tak in the world of Facebook and FaceTime and
bloody pata nahin kya kya aa gaya hai. I consider ‘Masoom’ one of the best
Hindi films ever made. Kya zaroorat hai dobara banane ki?
Do you believe in
remakes?
Hamari industry mehnat karne se bahut ghabrati hai. But
then at least they are admitting that they are remaking a film. Pehle toh admit
nahin karte the na. What is ‘Deewaar’ but a remake of ‘Ganga Jamuna’? Bilkul
wohi kahaani hai…bilkul ussi tarah ke emotional twists hai! Sab kuch bilkul
waisa ka waisa hai. Ek Dhanno nahin hai bas usme. But otherwise, it’s the same.
It’s a remake. ‘Shaan’ is a remake of ‘Sholay’. However, the former is set in
the city. Kya fark hai ‘Shaan’ aur ‘Sholay’ mein bataaiye aap mujhe? Sholay
mein uske haath kat jaati hai, ‘Shaan’ mein uski taange kat jaati hai. ‘Sholay’
mein daaku hai; ‘Shaan’ mein ganje ek baithe hue kahin. But it’s the same.
‘Taange’ pe gaane ke bajay BEST bus par gaana hai. So we’ve always been doing
that. But now ab woh maan rahe hai ki haan bhai, hum wohi film bana rahe hai
dobara. Kai aisi filmein ki remake ho rahi hai jo banni hi nahin chahiye thi,
in the first place!
Have you seen any
remakes?
No I haven’t bothered to see any remakes. ‘Chashme
Badooor’ ka remake dekhne ki takleef maine nahin ki. Aur ‘Agneepath’ maine
pehla waala bhi nahin dekha tha aur ye waala (remake) bhi nahin dekha.
You famously said
that you felt ‘Bhaag Milkha Bhaag’ is fake..
Aapko nahin lagi? To itna udham kyon mach gaya? Itna
toofan kyon ho gaya? Meri samaj mein nahin aata. Aap Milkha Singh ki 1960
Olympics ki tasveerein dekh lijiye. Aur Farhan Akhtar ko dekh lijiye. Bas…aur
mujhe kuch kehne ki zaroorat nahin hai.
Shabana Azmi has
said that Naseer is entitled to his opinion but 90 % of India doesn’t agree
with him…
If they cannot agree, I don’t care. My opinion is my
opinion. Main yeh nahin keh raha ki koi mere saath sehmat ho. Main toh apna
opinion bata raha hoon. Ab Shabana Azmi kehti hai ki unke rongte khade ho gaye
performance dekh ke. Theek hai, hue honge bhai. Mere nahin hue. Aur maine
Farhan ki performance ko criticize nahin kiya. Farhan ne bahut mehnat ki. Jaan
laga di usne. Lekin usko jo guidance mila, usko main criticize kar raha hoon.
Usko Rocky jaisa bana diya; Milkha Singh jaisa bilkul nahin tha woh.
But does this spoil
your relation with Javed Akhtar and Shabana because you’ve worked with Shabana…
I don’t know. I don’t see why it should. Kyonki agar
Shabana aur Javed saab mere kaam ko criticize karein, to iska matlab to nahin
hai ki main unse baat-chit karna bandh kar doonga. I have a right to say what I
feel and they have a right to say what they feel. Aur waise bhi, aisa koi meri
gehri dosti nahin hai Shabana se ya Javed saab se. I know them. I consider them
associates, not friends.
Prasoon Joshi had
said on your criticism that “I wrote the film with a common man in mind and the
film has moved and connected with people at large and across segments. It was
not meant to be a documentary or a niche film”…
Who is saying that he should have made a documentary? I am
asking, why did you call it Milkha? Kuch aur naam de dete aap. Why did you call
it Milkha and claim that it was based on facts? If it was, then the least you
could have done was to have Farhan look like Mikha Singh physically. Aur Milkha
bhi bade khush hue dekh kar ki ‘haan, main to aisa hi handsome aadmi tha’! ‘Ye
bilkul sach hai, meri life bilkul aisi thi’. Ab koi mere baare mein koi film
banaye aur George Clooney ko cast karein, to main khush hounga ki nahin? Mera
sirf criticism yeh hai ki I really wanted to see a truthful film about Milkha
Singh. And I am sorry to say, it was not a truthful film. Prasoon Joshi kuch
bhi defence dete rahe. Maine theatre mein dekhi hai. Mujhe malum hai ladkiyaan
seetiyaan baja rahi thi aur chilla rahi thi, cheekh rahi thi. Aur log rote bhi
hai. Pakistan ko aap do gaaliyan de do, sab log taaliyan bajate hai hall mein.
What I hated most about ‘Bhaag Milkha Bhaag’ was using this bloody jingoistic
nonsense to mock Pakistan.
It is factually
incorrect as well as the Pakistan race happened before the Olympics but in the
film it’s shown as vice versa…
Yeah exactly. The whole film is factually incorrect.
If someone proposes
to make a film on your life, will you agree?
Naah, unless meri pasand ka koi director woh film banaye.
And I think the only one I would entrust would be someone like Shekhar Kapur
kyonki uski filmmaking abilities ko main bahut manta hoon. Aur woh mujhe kaafi
had tak achchi tarah se jaanta bhi hai aur chahta bhi hai. I wouldn’t just let
anybody make a film on my life. Meri life pe film kaun banayega yaar?!
Actors today often
say that they are merely entertainers. However, some of the yesteryear actors
like Balraj Sahni tried to bring social changes as well. So do you think that
artists should feel more obliged in contributing to the society as well?
Mera koi bhi political affiliation nahin hai. Mere koi
bahut zyaada political opinions bhi nahin hai. I find politicians very amusing.
I can’t take them seriously. Aur jo log actors ho kar political activism karte
hai, main admire zaroor karta hoon unko. Woh apne conviction ke hisaab se karte
hai lekin mujhe lagta hai ki aapko apne daayre ke andar rehkar sabse pehle apna
farz adah karna chahiye. Agar aapko politics mein ghusne ka itna shauk hai, toh
pehle hi aapko chale jaana chahiye tha politics mein. Aap acting ki platform pe
khade hoke politics mein kyon jaa rahe hai? To main manta hoon ki meri jo
zimmedaari hai samaj ke taraf ya mere bandhuon ki taraf, usko main nibhata hoon
by doing the kind of theatre which I do and by helping in educating young
actors. Mere khayal se meri sabse pehli social responsibility yeh hai ki maine
apne field mein rehkar jo kuch kar sakta hoon, who karoon. Hum log sab duniya
ko badalne chal padte hai aur lal batti par hum rukte nahin hai traffic light
par. Aur duniya ko hum badalne jaa rahe hai. Agar aapke ghar mein jo paudha ugg
raha hai, agar aap usme paani nahin daal sakte, to aapko kya khaak fark padega
ki rainforests tabah ho rahe hai. Pehle to apne aap ko sudharna padega, samaj
ko sudharne se pehle.
What do you have to
say about Vivaan? He’s coming up with ‘Happy New Year’…
I wish him luck! I am very happy that he’s working with
someone like Farah. Mujhe Farah ki filmein bahut achchi lagi except for ‘Tees
Maar Khan’. ‘Om Shanti Om’ I think was a fantastic movie. Maine 2-3 baar dekhi
hai. Meri ek film thi ‘Hero Hiralal’. ‘Om Shanti Om’ was like a remake of ‘Hero
Hiralal’ and ‘Om Shanti Om’ got it right. Aur Farah ko jo unashamed love for
commercial cinema hai, woh mujhe bada achcha lagta hai. Aur woh bahut maze le
kar film banati hai. Meri isse badi dua koi ho hi nahin sakti ki meri favourite
commercial director ke saath mein mera beta launch ho. Sab mujhse puchte hai ki
aapne kya advice diya. Vivaan ko maine koi advice nahin diya. Maine usse kaha
bete, Shah Rukh Khan se advice lo. Usse behtar koi nahin hai tumhe advice dene
waala for acting in commercial films. Acting in commercial films mujhe aaj tak
samaj mein nahin aayi kaise hoti hai. Toh I have left him in the hands of Shah
Rukh Khan and Farah Khan aur mujhe poora bharosa hai un dono par.
Vivaan had said in
an interview that “We have a very honest relationship, but I am intimidated by
him as well. And it is something that bothers him as well, as he would like
people to be able to be more free with him…”
Yeah, it bothers me that even with my children, there’s
always a little bit of a distance. Malum nahin kyon. People in the industry
tell me that they are frightened of me and so on. I don’t understand why. Maine
ek hi producer ko toh maara hai apni zindagi mein! Do (producer ko maara hai),
sorry! Do producer aur ek director, teen!
Sir, something
about your sense of humour. Also, you can laugh at yourself which is phenomenal
as well…
Yeah, that is what everybody is liking so much about my
book because people didn’t suspect that I have a sense of humour. I like funny
films. And I don’t believe in taking myself seriously. And I have tried that my
children should not take me seriously. Jis level ki dosti main karna chahta tha
apne bachchon se, I am still working at it.
Coming back to your
statement on Farhan Akhtar, why is that whenever you say something about
someone, it always (turns into) a huge controversy. Like it happened in the
case of Mr Bachchan also…
What did I say about Mr Bachchan?
You said that you
don’t consider him as the greatest actor of Indian Cinema…
I never said anything like that. What I did say was I
liked his earlier performances better. An actor is remembered via the movies he
did. Aap duniya ke sabse gifted actor honge, par agar aapne aisi film nahin ki
hai jo yaad rahegi, toh aapko bhi koi nahin yaad karega. An actor cannot be
better than the film he is in. That’s what I probably said about Mr Bachchan. I
may have criticized some of his performances but I am a great admirer of the
man. See the way he handles ‘Kaun Banega Crorepati’. It’s fantastic. After
being such a star, to be able to make a connection with every common man who
comes to his programme is a phenomenal achievement. And I consider him a very,
very fine actor.
You also said that
you don’t consider ‘Sholay’ as a great film…
That I don’t and I have written 3 pages in my book about
it.
If you judge your
films objectively, then which are the films that you consider memorable?
I think films like ‘Manthan’, ‘Masoom’, ‘Sparsh’, ‘Mirch
Masala’, ‘A Wednesday’ will be
remembered. So, I might be remembered also!
Something about
theatre because you are one of the few actors who actually devote so much time
for dramatics…
Yes because I love theatre. Aur theatre ka karz main utaar
nahin sakta zindagi bhar alawa iss tarah se ki main zindagibhar theatre ki
kidmat karta rahoon. Aur isliye bhi kyonki mujhe theatre karne mein mazaa bahut
aata hai. Ab kyon aata hai, ye mujhe nahin malum. I will continue doing it,
until I can stand on my own feet. Jab nahin chal paoonga, tab wheelchair pe
baith ke theatre karoonga. Aur jab main mar jaunga, tab mere jo students hai,
woh karte rahenge. But I can never give up theatre. Kyonki mujhe apne being pe
jo confidence hai aur jo kuch bhi mera education raha hai, it has all been
through theatre.
You have directed
many films but you have directed only one film…(Yun hota to kya hota)
Yeah and I’ll not direct another film. Film direction mere
bas ki baat nahin hai.
But you made a good
film…
Thank you, but I don’t think so. It was not a good film
from my standards. Agar main itna harsh dusro ke baare mein ho sakta hoon to
apne baare mein bhi utna hi harsh hona chahiye ye main manta hoon. Uss film
mein bahut khamiya thi. I feel ashamed sometimes about it. The fact that it
flopped does not bother me. But utni achchi film jitna banana chahta tha, who
main nahin bana saka aur uske kayi kaaran hai. I am basically not a filmmaker,
I am a theatre person. I enjoy directing in the theatre more.
How do you remember
your colleagues like Farooq Sheikh, Ravi Baswani?
Dost the, azeez log the. Farooq Sheikh ko to main bahut hi
achcha actor manta tha. Apni sehat ka khayal jo nahin rakhega jo insaan, toh
fir yehi hoga na. Bahut bada jatka laga mujhe Farooq aur Ravi dono ke intakaal
se.
There are many
people who want to make a living out of theatre. They do it out of passion but
they hold themselves back thinking that there’s no money in theatre. Do you
think that would ever change?
No, it will never change. Theatre will always be a
marginal activity. It will be only for the few crazy people who love it
unconditionally and without any rational reason. Bahut se log mujhse puchte hai
ki theatre kyon nahin itna popular hai jitna hamari filmein hai. Toh mera kehna
yeh hai ki agar hum chahte hai ki theatre utna hi popular ho jitna hamari
filmein hai, to jis tarah ki filmein hai, uss tarah ka humein theatre karna
padega! To aap chahenge kya ki aap theatre par bhi David Dhawan jaisi film
dekhein? Mere khayal se nahin chahenge aap. Aur film ki jo coverage hai
screening hai. Ek film laakhon log dekh sakte hai ek hi waqt pe. Theatre mein
yeh mumkin nahin hai.
Would you like to
put up your plays on digital platforms?
No, because it just doesn’t work. No camera can capture
the life. Nandita Das koshish kar rahi hai filmaane ki natakon ko. It’s a
foolish exercise. Woh natak bahut bure lagte hai on film. Aur woh 100 saal baad
bhi dekhe jaayenge aur log hasenge unpar.
Don’t you think
that the government while giving permission to set up so many multiplexes
should tell the owners to set up a dramatics auditorium as well?
Distributors ko kaun samjhayega? Rajat Kapoor ki bahut hi
behtareen film aayi thi ‘Ankhon Dekhi’. It’s one of the best films I have seen
in recent times. Woh ek hafta chali. Kyonki uski koi publicity nahin thi. Aur
agle hafte koi monstrous Hindi film aane waali thi jisne saari screens book up
kar rakhi thi. To kya kiya jaaye? Our only hope is to make films as cheaply as
possible, taaki unki recovery mein utni mushkil na ho. Kyonki utne log aayenge
hi nahin aisi filmon ko dekhne jitni ek Salman Khan ki film ko dekhne jaate
hai. Hum yeh umeed hi kyon karein ki hamari film itni badi hit hogi aur 100
crore kamayegi?
Do you believe in
the entire obsession over Oscar in our industry?
Meri samaj mein nahin aata ki kyon bhaagte hai hum Oscar
ke peeche. Oscar mein rakha kya hai? Oscar utna hi bogus hai jitna koi bhi Pan
Parag award.
And what about
National Awards?
Usme bhi lobbying hoti hai. Aur jo log ye awards decide
karte hai, woh saare out of work filmmakers hai. Mujhe koi kadar nahin inn
awards ki.
What’s the
importance of writing in both plays and films?
It is crucial aur wohi to kami hai hamare industry mein.
Writers hai hi nahin. Nakal karne waale log hai. Aur nakal bhi theek se nahin
kar paate. Lack of good writing is the bane of our industry.
But regional cinema
comes up with films boasting of great stories. Don’t you think that we should
take a step backward to rethink and give the writers the rightful importance?
Now, it’s too late. Salim-Javed ne writers ki value
badhayi. Unki wajah se writers ko aaj kal paise achche milte hai. But it’s too
late as Hindi films have gone beyond redemption point. Ab who aur badi hoti
jaayengi. 100 crore, fir 200 crore, fir 1000 crore…that is the only criterion.
That is the only thing anybody in the Bombay film industry is worried about.
Quality of films and writing isn’t of any importance.
How much time and
effort does it to take to develop a Hindi play?
Woh depend karta hai ki tarah ka play hai. Hum log jis
tarah ka natak karte hai, usme bahut kam kharcha hota hai. Theatre mein essential
cheez do cheezein hai – one, the actor and two, the text. Aur kisi teesri cheez
ki zaroorat nahin hai natak karne ke liye.
And what about
cost?
‘Ismat Apa Ke Naam’ hamara bahut ki kamyaab natak hai jo
hum dus saal se karte aa rahe hai usme mushkil se humne 10-15000 kharche kiye
honge.
Theater has given
lot of actors to cinema. So don’t you think producers should be generous enough in supporting Theater?
Kyon de? Woh laakh rupaye doobenge nahin? Woh lakh rupaye tab denge jab uss lakh ke sau lakh ban jaaye. Artist wartist se kya lena dena? It amuses me frankly ki kitni paise ki bhookh ho sakti hai. Jin logon ke pass godamon mein bhara pada hai paisa, unhe bhi ab tak paise ki bhook hai.
Kyon de? Woh laakh rupaye doobenge nahin? Woh lakh rupaye tab denge jab uss lakh ke sau lakh ban jaaye. Artist wartist se kya lena dena? It amuses me frankly ki kitni paise ki bhookh ho sakti hai. Jin logon ke pass godamon mein bhara pada hai paisa, unhe bhi ab tak paise ki bhook hai.
What do you have to
say about the PR machineries?
Maine aaj tak koi PR nahin rakha!
And how do you take
care of your health, despite being so busy?
Main yoga ki class mein jaata hoon. Main har roz kuch na
kuch sports zaroor khelta hoon. Horse riding ka mujhe behad shauk tha. Woh ab
choot gaya kyonki meri kamar jawab de gayi hai. Lekin apne aap ko sehatmand
rakhna actor ki zimmedaari hai. Aap audience se yeh nahi keh sakte ki uss din
meri tabiyat kharaab thi. They are not interested! And gussa aata hai mujhe
Smita Patil, Farooq Sheikh jaise logon pe. Mohan Gokhale mera bahut achcha dost
tha. Heart attack ke baad bhi who sharaab peeta raha.
How pivotal was
‘Jalwa’ for you? That’s when we saw the physique of yours…
It was one of the most
enjoyable shoots I have done in my life. ‘Jalwa’ shooting karte waqt mujhe aisa
lagta tha ki main udd sakta hoon. And I did every single stunt in the film
myself. I did some stunts which people don’t believe I did. I just felt I am indestructible.
I don’t think I had so much confidence in myself ever in any movie. Uske baad
Pankaj Parashar ne koi dhang ki film banayi nahin. Uska bhi mujhe afsos hai.
‘Jalwa 2’ ki baat karta rehta hai woh. Lekin woh bani nahin abhi tak.
